"They wanted me to be a banker." When referring to his parent's
wishes about a career for him, Patrick Boyer shrugs his shoulders and
smiles. "My stepfather was a well-respected banker in our town.
He wanted me to follow in his footsteps. The only problem was, when
I looked at a 50-franc bill I saw the subtleties of colors and how they
changed under different lighting. He simply saw money." Patrick
says he tried to please his parents. "In French schools, when you
reach 16, you have to choose your course of study: math and science
or arts and letters. Naturally, I enrolled in math and science - an
approved course of study for a future banker. Still, I always had a
pad of paper and pencils nearby. I was an avid artist, sketching whatever
I saw - the old freestanding chalkboard covered with formulae, flames
flickering from a Bunsen burner."I even managed to sneak in a drawing
class or two. I remember once our teacher had us look to the works of
Old World poet Francois Villon for inspiration. Over the course of the
year, I did several sketches based on his poetry. At the end everyone's
work was returned to them - except mine. When I asked the professor
where my drawings were, he said he had given them to a museum in Avignon.
I contacted the curator who told me he had put my sketches on display,
but if I really wanted them back I could come and fetch them."
Patrick pauses for a moment. "I left them in the museum. Now their
part of a private collection." According to Patrick, having his
work placed in a museum was the beginning of the end. Try as he did,
he couldn't settle down to life as a banker. The urge to create was
just too strong. "And so was my self-destructive side. I couldn't
reconcile my need to be an artist with the realities of working in such
a traditional field. So, I bought a motorcycle. My fourth accident left
me paralyzed for two months. To keep me entertained, a childhood friend
brought me a book by Andreas Feininger about the photography work he
had done in New York." Patrick says that photography was the medium
he had been searching for all his life. In it he found the perfect way
to express his creative self, unrestricted by pen and ink, paints and
clay. Like a child with a new toy, he immersed himself in the art .
. . to the detriment of his career at the bank."My parents were
not pleased."In short time, he left banking altogether and started
a career as a photographer. Today, his work has been displayed in many
of France's fashion magazines. He's also photographed rock bands. Recently,
he's turned his considerable talent to the world of fine art photography."Architecture
has always been my passion. And machinery. Though I still enjoy my work
as a commercial photographer, I've been fortunate to take some time
to indulge my love of buildings and their inner workings. To me, the
most important things in my visions are the lines and curves, the lights
and the shadows. That's what I hope I've accomplished with this exhibit."
When asked how his parents feel about his career choice today, Patrick
smiles one more time. "Well, they think I take nice photos, but
deep down inside, I'm sure they'd like me to keep banking on the back
burner, just in case."