Dr. Seuss |
|||||||||
This is just a sample of the works available by Dr. Seuss.Click here to see the complete listing of Dr. Seuss works. |
|||||||||
Newest Seuss ReleasesEarth Friendly LoraxTurtle Tower Bronze |
|||||||||
Seuss Secret ArtThe Grinch on Mt. CrumpitGosh!, Do I Look as Old as All That!The Manly Art of Self Defenseplus the Seuss Bronze Collection, Green Eggs and Ham & The Grinch (3Dview) |
|||||||||
![]() |
![]() |
||||||||
Lion Stroll |
Framed Sawfish |
||||||||
Serigraph on Canvas |
Framed Resin Sculpture |
||||||||
Image Size 24 x 36 |
Image Size 16 x 32 x 6 |
||||||||
| Most of our Dr. Seuss art is framed in a floater style frame, this shows off the art and not the frame. Click here to see an example. | |||||||||
Oh the Places... |
|||||||||
Hand Pulled Litho on Archival Paper |
|||||||||
Image Size 13 x 17 1/2 |
|||||||||
The Secret Art pieces "Free Bird", "Plethora of Fish", "Cat Detective in the Wrong Part of Town", and "The Rather Odd Myopic Woman Riding Piggyback on One of Helen's Many Cats" are here!!!
|
![]() |
And the new Illustration art pieces "Green Eggs And Ham: Would You? Could You? In a Car?", "Little Cats B, C and A", "Oh, the Places You'll Go", and "Oh, the Stuff You Will Learn!" |
|||||||
The Illustration Portfolio's III, IV & V are in the gallery. |
|||||||||
Sold out works available
|
|||||||||
Both the Secret Art Serigraphs and the Illustration Art Lithographs are Hand Pulled editions. Using the Highest quality archival materials available. These are heirloom quality pieces made to last many lifetimes. |
|||||||||
Secret Art Serigraphs |
Illustration Art Lithographs |
||||||||
|
Unorthodox Collection of Taxidermy
Bronze Sculptures |
50th
Anniversary Cat in the Hat Diptych "We
looked and then we saw him" The Archive Collection |
||||||||
Here is a copy of Audrey Seuss Geisel's letter on the release of the art of Dr. Seuss A PERSONAL NOTE ABOUT THEODOR SEUSS GEISEL I retain a most vivid picture of Ted standing in his studio before his easel, palette in hand, brush poised. He would lean forward and then back on his heels, head cocked to one side and then the other. This artistic "dance" step was repeated over and over again. He enjoyed working after midnight - seldom during the working-day hours. He did not consider painting to be "work," so it had to wait till late at night. Painting was what he did for himself and not something he felt comfortable in sharing. I recall a particular oil painting - now known as "A Plethora of Cats" - in which there are dozens upon dozens of cat heads of all different sizes. There was never an actual moment he could feel he had indeed finished - that is, he painted the last feline head. He would periodically step back and put it aside for a while. Then, inevitably, when the spirit again moved him - or he was on book hiatus - he would find room for just one more cat face. This happened over and over again. I have attempted to recall the very last cat face with special tenderness, but I cannot. I remember telling Ted that there would come a day when many of his paintings would be seen and he would thus share with his fans another facet of himself - his private self. That day has come. I am glad. Audrey Geisel |
|||||||||
|
|||||||||
|
|||||||||
|
|
|||||||||